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Bessie Tucker
Bessie Tucker
Born c. 1906
Rusk, Texas, United States
Died January 6, 1933 (age about 27)
Dallas, Texas, U.S.
Genres Classic female blues, country blues, Texas blues[1]
Singer, songwriter
Instruments Vocals
Labels Victor
K. D. Johnson, Jesse "Babyface" Thomas[2]

Bessie Tucker (c. 1906 - January 6, 1933)[3] was an American classic female blues, country blues, and Texas blues singer and songwriter.[1] Little is known of her life outside the music industry.[1] She is known to have recorded just twenty-four tracks, seven of which were alternate takes.[4] Her songs include "Penitentiary" and "Fryin' Pan Skillet Blues".[4]


Tucker hailed from East Texas. References in her songs led the researcher Max Haymes to speculate that she may have been based in Greenville.[5] The researchers Bob Eagle and Eric LeBlanc state that she was born in Rusk, Cherokee County, Texas, the daughter of Georgia (ne;e Connor) and John Chris Tucker.[3]

She had a light complexion[5] and a small frame[1] but was said to be "a strong singer with a dark voice".[6] In August 1928, she recorded a number of songs, most of which she wrote, for the Victor label in Memphis, Tennessee. She was accompanied on piano by the Dallas-born K. D. Johnson. This recording session yielded her best-known song, "Penitentiary". The subject of the song was reputedly not unknown to Tucker.[1]

A second session in Dallas followed in October 1929,[7] at which she was again accompanied by Johnson and by the guitarist Jesse Thomas.[8] After this, nothing more is known of her life.[1] Only one photograph of Tucker is known.[9] According to Eagle and LeBlanc, she died in Dallas in early 1933, aged 27 at most.[3]

In 1960, the Dallas pianist Whistlin' Alex Moore told an interviewer that Tucker and Ida May Mack, who had shared the 1928 recording session with Tucker, were both "tough cookies ... don't mess with them". However, in a 1972 conversation, the pianist was unable to recall the name of either singer, leading the interviewer to suspect that he had drawn his own conclusions from their recordings.[5] Music buffs can only affirm that Tucker sang in the same style as the Texas singers Texas Alexander, Victoria Spivey and Texas Bill Day and that her lyrics refer to railroads that served East Texas and Dallas.[5]

Some of Tucker's tracks and those of Mack are available on a compilation album.[10] All of her recordings have been issued by Document Records (see below).[4]

She was not related to the singer Sophie Tucker.


  • Complete Recorded Works (1928-1929) (Document, 1991)[4]

See also


  1. ^ a b c d e f Ankeny, Jason. "Bessie Tucker: Biography". Retrieved 2010. 
  2. ^ "Bessie Tucker, Complete Recorded Works (1928-1929): Credits". 
  3. ^ a b c Eagle, Bob; LeBlanc, Eric S. (2013). Blues: A Regional Experience. Santa Barbara, California: Praeger. p. 312. ISBN 978-0313344237. 
  4. ^ a b c d "Bessie Tucker, Complete Recorded Works (1928-1929): Review". 
  5. ^ a b c d Haymes, Max. "Katy's at the Station. Santa Fe Is in the Yard". Retrieved 2010. 
  6. ^ Oliphant, Dave (1996). Texan Jazz. Austin: University of Texas Press. p. 72. ISBN 0-292-71096-8. 
  7. ^ "Jesse Thomas Discography". Retrieved 2010. 
  8. ^ "Bessie Tucker: Twenties Barrelhouse Blues". Retrieved 2010. 
  9. ^ The only known photograph of Tucker Retrieved November 19, 2010.
  10. ^ "Ida May Mack, Backgrounds of Jazz: Ida May Mack/Bessie Tucker: Overview". 

External links

  This article uses material from the Wikipedia page available here. It is released under the Creative Commons Attribution-Share-Alike License 3.0.



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