|"Bennie and the Jets"|
|Single by Elton John|
|from the album Goodbye Yellow Brick Road|
|Released||4 February 1974|
|Studio||Château d'Hérouville, France|
|Elton John singles chronology|
"Bennie and the Jets" (also titled as "Benny & the Jets") is a song composed by Elton John and Bernie Taupin. The song first appeared on the Goodbye Yellow Brick Road album in 1973. "Bennie and the Jets" has been one of John's most popular songs and was performed during John's appearance at Live Aid. The track is spelled Benny on the sleeve of the single and in the track listing of the album, but Bennie on the album vinyl disc label.
"Bennie and the Jets" was featured on side one of the Goodbye Yellow Brick Road album, and Elton John was set against releasing it as a single, believing it would fail. CKLW in Windsor, Ontario, began heavy airplay of the song and it became the #1 song in the Detroit market. This attention caused other American and Canadian Top 40 stations to add it to their playlists as well and as a result, the song peaked at #1 on the US singles chart in 1974. In the US, it was certified Gold on 8 April 1974 and Platinum on 13 September 1995 by the RIAA, and had sold 2.8 million copies by August 1976.
"Bennie and the Jets" was also John's first Top 40 hit on what at the time was called the Billboard Hot Soul Singles chart, where it peaked at #15, the highest position out of the three of his singles which reached that chart. The acceptance of "Bennie" on R&B radio helped land John, a huge soul music fan, a guest appearance on the edition of 17 May 1975 of Soul Train, where he played "Bennie and the Jets" and "Philadelphia Freedom". In Canada, it held the #1 spot on the RPM national singles chart for two weeks (13-20 April), becoming his first #1 single of 1974 and his fourth overall.
The song tells of "Bennie and the Jets", a fictional band of whom the song's narrator is a fan. The song is written in the key of G major. In interviews, Taupin has said that the song's lyrics are a satire on the music industry of the 1970s. The greed and glitz of the early 1970s music scene is portrayed by Taupin's words:
Taupin also goes on to describe the flashy wardrobe of "Bennie", the leader of the band:
Produced by Gus Dudgeon, the song was recorded during the "Goodbye Yellow Brick Road" sessions in France at Château d'Hérouville's Strawberry Studios, where John and Taupin had recorded their previous two albums, Honky Château and Don't Shoot Me I'm Only the Piano Player.
After recording the song in the studio, John and the band worried that it was too plain and unoriginal. In the Eagle Vision documentary on the making of Goodbye Yellow Brick Road, John recalled, "I fought tooth and nail against 'Bennie' coming out as a single." According to guitarist Davey Johnstone, "'Bennie and the Jets' was one of the oddest songs we ever recorded. We just sat back and said, 'This is really odd.'" While mixing the album, Dudgeon came up with the idea of creating a "live from Playhouse Theatre" sound for the track. He added reverb effects, applause and other audience sounds from John's previous concerts and a loop from the Jimi Hendrix live album Isle of Wight, plus whistles, giving it the "live concert recording" feel that has since become a sort of trademark.
John rarely plays the song verbatim to the studio version, and often makes subtle or even drastic changes. Live, the piano solo in the middle of the song has been played in all sorts of variations, from very close to the original to wildly improvised and extended versions, such as the elaborate version during a Central Park concert in 1980 and another memorable take on it during the "Elton and his band" part of the show recorded for what would become Live in Australia in December 1986. (It can be seen on various Laserdisc releases of the show.) He has also been known to end the song in a wide range of styles, including classical, swing, boogie-woogie and even using the signature five-note phrase from John Williams' score for Close Encounters of the Third Kind.
In May 2017, an official music video for "Bennie and the Jets" premiered at the Cannes Film Festival as a winner of Elton John: The Cut, a competition organized in partnership with AKQA, Pulse Films, and YouTube in honour of the fiftieth anniversary of his songwriting relationship with Bernie Taupin. The competition called upon independent filmmakers to submit treatments for music videos for one of three Elton John songs from the 1970s, with each song falling within a specific concept category. "Bennie and the Jets" was designated for the choreography category, and was directed by Jack Whiteley and Laura Brownhill. The video was influenced by early cinema and the work of Busby Berkeley, portraying characters as participants on a talent show auditioning for Bennie.
The song contains the line "She's got electric boots, a mohair suit", which is often misheard as "She's got electric boobs, and mohair shoes". A scene in the film 27 Dresses shows that this is but one of many mondegreens that listeners have invented for this song.