%C8%98tefan Petic%C4%83
Get %C8%98tefan Petic%C4%83 essential facts below. View Videos or join the %C8%98tefan Petic%C4%83 discussion. Add %C8%98tefan Petic%C4%83 to your PopFlock.com topic list for future reference or share this resource on social media.
%C8%98tefan Petic%C4%83
?tefan Petic?
Petic?, as sketched by Nicolae Petrescu-G?in?
Petic?, as sketched by Nicolae Petrescu-G?in?
Born(1877-01-20)January 20, 1877
Buce?tim Gala?i County
DiedOctober 17, 1904(1904-10-17) (aged 27)
Buce?ti
Pen nameCaton, Erics, Mu?at, Narcis, Sapho, Senez, Sentino, Sergiu, Step, Stiopca, ?tefan, Trubadur, ?t. P.
Occupationpoet, playwright, literary theorist, journalist
NationalityRomanian
Period1894-1903
Genrepoetry, drama
Literary movementSymbolism

?tefan Petic? (Romanian pronunciation: [?te'fan 'petik?]; January 20, 1877–October 17, 1904) was a Romanian Symbolist poet, prose writer, playwright, journalist and socialist activist. Born in the countryside of Tecuci, he early displayed a voracious appetite for literature and philosophy. After high school, he made his way to the national capital Bucharest, where university studies soon gave way to low-paid newspaper work. Petic? published one volume of poetry before his premature death, and left his mark as one of the first exponents of the domestic Symbolist movement.

Biography

Origins, education and intellectual influences

Born in Buce?ti, Gala?i County, his parents were the free peasants (r?ze?i) Ianache and Catinca Petic?. He attended primary school in nearby Lie?ti, followed by the D. A. Sturdza gymnasium in Tecuci (1888-1892) and the Nicolae B?lcescu High School in Br?ila (1892-1896). Petic? obtained his high school degree in Bucharest in 1898. He enrolled at the University of Bucharest's literature and philosophy faculty,[1] but did not graduate due to a lack of funds that led him to become a prolific but poorly paid journalist.[1][2] Although he was a good science student in high school, he was more interested in literature, gaining fluency in French, German and English and keeping current with contemporary European writers.[1] His reading of foreign authors was done in the original language, the three aforementioned as well as Spanish and Italian; he also acquired some knowledge of Russian.[2] He was also interested in philosophy and sociology, which he read widely and with care.[1][2] He and a classmate reportedly preferred a study of Herbert Spencer to lunch, and a poem by Walt Whitman to supper.[2]

In spite of his perpetual poverty, Petic?'s omnivorous intellect led him to Greek and Roman classics, a commentary on the Quran, verses by Ferdowsi in German, Copernican astronomy, Spanish romances, Franz Miklosich's study of Romanian philology, Johann Wolfgang von Goethe's aesthetics; works by Wilhelm Wundt, Arthur Schopenhauer, Arthur de Gobineau and Spencer's First Principles; the archaeological findings of Johann Joachim Winckelmann and Stefan George's magazine Blätter für die Kunst [de]. Others who entered his radius include Théodore Aubanel, Frédéric Mistral, Stendhal, Ernest Renan, Ugo Foscolo, Fyodor Dostoyevsky, Ivan Turgenev, Leo Tolstoy and Alexander Herzen. His critical references from 1900 to 1903 show that he not only knew Charles Baudelaire, Stéphane Mallarmé, Paul Verlaine, Jean Moréas, Albert Samain, Emile Verhaeren and Maurice Maeterlinck, but was also serious about art history. His commentary used studies of Greek art by Winckelmann and Gotthold Ephraim Lessing, as well as aesthetic arguments by John Ruskin.[2]

Socialist militant, poetry and legacy

Petic? was an adherent of the socialist movement starting in Br?ila in 1893, when he joined the workers' club where Izabela Andrei was very active. His political reading included Spencer, Schopenhauer and Renan, as well as John Stuart Mill, Thomas Carlyle, Pierre Paul Royer-Collard, Victor Cousin and Hippolyte Taine; he carefully summarized his readings of these thinkers on note cards. He carried on a correspondence on socialist topics with Eugeniu Botez, then attending high school in Ia?i.[2] He published in the socialist newspaper Munca from 1894. His journalistic debut was an article there titled "Socialismul la sate" ("Socialism in the Villages"). He also wrote for the socialist Lumea nou? from 1896, becoming editor in 1898.[1]

Following a split in the movement, he joined the group led by V. A. Urechia, vocally renouncing his former ideas and, between 1898 and 1903, writing a series of articles with anti-socialist declarations.[2] Other publications in which his work appeared include Ap?rarea na?ional?, Depe?a, Doroban?ul, Literatorul, Lumea nou? literar? ?i ?tiin?ific?, România ilustrat?, România jun? and S?m?n?torul. His first published verse appeared in Lumea nou? literar? ?i ?tiin?ific? in 1896; this was the poem "Cântec" ("Song"). He sometimes signed with the pen names Caton, Erics, Mu?at, Narcis, Sapho, Senez, Sentino, Sergiu, Step, Stiopca, ?tefan and Trubadur, or with the initials ?t. P.[1] He was editorial secretary of Alexandru Macedonski's Literatorul from February to June 1899.[2]

He belonged to the Bohemian milieu of Bucharest at the turn of the 20th century and was active in Macedonski's circle. Petic?'s poems, collected in the 1902 Fecioara în alb. Când vioarele t?cur?. Moartea visurilor, were among the first notable achievements of the Symbolist movement in Romania, striking in their thematic, imagistic and tonal unity. He was also a theoretician of Symbolism, which he knew in its Western European form and which he was able to define convincingly. He also published plays (Solii p?cii, 1900-1901 and Fra?ii, 1903),[1] leaving behind manuscript plans for over thirty of them.[2] His prose includes both journalism (political and sketches) and delicate and melancholic prose poems that show an authentic sensibility to nature.[1]

In 1904, increasingly ill with tuberculosis, he first quit his post as a librarian at the Domains Ministry, then left the capital city altogether. After returning to his parents' home, he died in his native village at the age of 27.[2][3] The public library in Tecuci has borne his name since 1994.[4]

Bibliography

  • Fecioara în alb. Când vioarele t?cur?. Moartea visurilor (poems), Bucharest, 1902
  • Fra?ii (play in four acts), Bucharest, 1903
  • Morfologia social?, Bucharest, 1903
  • Sociologia veche ?i sociologia nou?, Bucharest, 1903
  • Cântecul toamnei. Serenade demonice (poems), Bucharest, 1909
  • Poeme. Fecioara în alb. Când vioarele t?cur?. Moartea visurilor. Cântecul toamnei. Serenade demonice, ed. Nicolae Davidescu, Bucharest, undated
  • Opere, ed. Nicolae Davidescu, Bucharest, 1938
  • Scrieri, I-II, ed. Eufrosina Molcu?, Bucharest, 1970-1974
  • Versuri, Chi?in?u, 1999

Notes

  1. ^ a b c d e f g h Aurel Sasu (ed.), Dic?ionarul biografic al literaturii române, vol. II, p. 335-36. Pite?ti: Editura Paralela 45, 2004. ISBN 973-697-758-7
  2. ^ a b c d e f g h i j Constantin Ciopraga, Literatura român? între 1900 ?i 1918, pp. 362–64. Bucharest: Editura Junimea, 1970
  3. ^ ?tefan Petic?, Scrieri, vol. I. Bucharest: Editura Minerva, 1970
  4. ^ (in Romanian) "Despre noi" at the ?tefan Petic? Tecuci Municipal Library site

  This article uses material from the Wikipedia page available here. It is released under the Creative Commons Attribution-Share-Alike License 3.0.

%C8%98tefan_Petic%C4%83
 



 



 
Music Scenes